Brighton Salon Partners
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Talk to us on +44 (0) 207 193 5071.8am to 8pm GMT. Click here to skype dan.travis.
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More Salon Talks
- Ferraris For All - In Defence of Economic Progress, Daniel Ben-Ami Book launch at Waterstones, July 20th 2010, 7.00pm
- Can Sport Save us All? Open House, Tuesday, 22nd June 2010 7.15pm
- Burlesque: How did a form of old-fashioned strip-tease become a mainstream theatrical art form?
- What should the University be for? Bellerbys College, Thursday, 29th April 2010 7.15pm
- Immigration - Where's the Debate? a discussion with Dolan Cummings on Wednesday 10th March 2010
- Dr Norman Lewis on The End of Privacy? The future of trust in the transparent society
- White Night Festival at The Phoenix Gallery
- The Dangerous Rise of Therapeutic Education with Kathryn Ecclestone on Thursday September 24
- Simon Fanshawe and Tim Black discuss 'Is it possible to be satirical today?' on 20th January 2010
- Adrian Hart on the Myth of Racist Kids on Tuesday November 17
- Cory Doctorow, Nico Macdonald and Michael Bull on 'The Future of Collaboration: Sharing and Work in the Networked Age' on Saturday October 17
- China: Threat or opportunity?
- Open the Borders; Allow Free Movement of the People
- Fusion: Cheap energy for all?
- Reclaiming the American Dream: The Rise of Obama
- Surveillance Society
- Challenging relationships: Love, Companionship and Robots
- The Crisis of Confidence and the Financial Collapse
- Reclaiming Childhood
- Britain After the Recession with Rob Killick
- More Power to the People the Future of Energy
- From Fatwa to Jihad with Kenan Malik
- Booze Bans
- Mind, brain and self in the age of Facebook with Dr Rob Clowes on Tuesday July 21
- The New Media Wars
- The dangers of a healthy lifestyle
- Exploring intimacy & commitment in the 21st Century
Salon Writing
- Transparency Works Both Ways: Public scrutiny of power is becoming the power to scrutinise the public
- Rethinking privacy by Sean Bell
- An extract from The Myth of Racist Kids by Adrian Hart
- Question Time: A river of blood runs through it by Sean Bell
- Free: The Future of a Radical Price by Chris Anderson reviewed by Sean Bell
- Gesthamane
- ’We do believe in Punk, we do, we do’
- PeteR in my Pocket ™
- Jerry Sadowitz at The Udderbelly, Brighton Festival
- Silent Disco at the Udderbelly, Brighton Festival
- Open houses at the Brighton Festival
| PeteR in my Pocket ™ |
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Peter Doherty at the Brighton Dome 19th March 2009 Pete Doherty has been remarketed. He is now Peter not Pete. In a plain black sweater and jeans he as been deGuccified; he is no longer Kate Moss’s dirty little play thing. He is now something else – but after watching him at the Dome I’m not entirely sure what that something else is, and nor I suspect is he. The Peter Doherty on stage at the Dome was fully present and at points even slick, whilst making sure there was just enough rubbed in grime and spontaneity to keep the old fans happy. Compared to the shambling staggering, falling off a guitar stool performances he has previously inflicted on his hard earned cash paying punters, he was value for money. There wasn’t any encore, and the set and lighting were shoddy in their pared down simplicity, his promotions team couldn’t spell his name, and he didn’t seem to remember who his drummer was. But he was there, he delivered and filled the stage with musicians. The real value for money though, lay not in the number of musicians he filled the stage with (12) but in the number of versions of Doherty he paraded for his audience. Doherty proved he was versatile at the Dome, choosing to open with a very different quality of sleaze from the tabloid celebrity car crash he had increasingly been defined by. Backed by an 8-piece plus 3 strings Doherty moved towards a much classier level of sleaze, here ‘A Little Death Around the Eyes’ smacked of Jacques Briel with a touch of the Marc Almonds. As the band were pared down the realities of remarketing Doherty, whilst keeping everybody onboard, became increasingly apparent. Doherty’s attempt to be everything to everybody turned into Doherty Barbie dress up, as he put on the different bits of clothing fans threw onto the stage. In these acoustic solo sections there was a stronger sense of the raw and the audience provided the energy, when it was lacking. Ultimately though it was when away from this, when backed by the searing strings, in a band, that Doherty came closest to that other thing he does, apart from get in the papers - beautiful, witty music.
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